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篇一:《中国著名旅游景点英文介绍》

中国著名旅游景点英文介绍

1. The Great wall

The Great Wall, located in northern China, is 6,700 kilometers long and thus known as the “10,000-li Great Wall”. Construction of the wall went on for more than 2,000 years, from 7 th century to 14 th century AD. The wall has become a symbol of both China’s proud historyand its present strength.

2. The Palace Museum

The Palace Museum, also called the Forbidden City, is located in the center of Beijing. The imperial palace used by emperors of the Ming and Qing Dynasties is the largest and most complete ancient wooden-structure building complex in the world. Construction of the Forbidden City started in 1406 and

lasted 14 years. 24 emperors were enthroned there.

3. Zhoukoudian: Home of the Peking Man

Remains of the Peking Man (homo erectus) are located on the Dragon Bone Hill at Zhoukoudian Village, Fangshan District, Beijing. In the 1920s, archaeologists discovered the complete skull of Peking Man. Later, more skull bones as well as stone and bone instruments were unearthed. Peking Man lived 690,000 years ago, during Paleolithic times. Findings indicate that Peking Man knew how to make fires.

4. Qinshihuang’s Mausoleum and Terra-cotta Army

Qinshihuang’s Mausoleum is located in Lintong District, 35 kilometers east of Xi’an, capital of Shaanxi Province. Construction ofthe mausoleum lasted 38 years and involved over 700,000 workers. Over the years, a total of 50,000 important cultural relics have been unearthed. In 1980, two bronze painted horse-drawn chariots were unearthed. They are the largest and most complete bronze chariots and horses discovered so far. In 1974, farmers who were digging a well about 1.5 kilometers east of Qinshihuang’s Mausoleum discovered three vaults containing Qinshihuang’s Buried Legion. The largest

of the three vaults contains 6,000 life-size terra-cotta warriors and horses. The collection of warriors is

often dubbed the“eighthwonder of the world”.

5. The Mogao Grottoes at Dunhuang

Dunhuang Grottoes comprise of the Mogao grottoes, West 1,000-Buddha Cave, and Yulin Cave. The Mogao Grottoes, representative of the three sites, are located 25 kilometers southwest of Dunhuang City,

Gansu Province. Construction of the grottoes began in 366 AD. The well-designed grottoes are a

treasure house containing painting, sculptures, documents, and cultural relics.

6. The Huangshan Mountain

Located in Huangshan City in southern Anhui Province, the scenic area of the Huangshan Mountain covers 154 square kilometers and is famous for its four wonders: strangely-shaped pines, grotesque rock

formations, seas of clouds and hot springs. It also features a natural zoo and botanical garden.

7. Huanglong

The Huanglong Scenic Area is located in Songpan County, Sichuan Province. Calcified ponds, beaches,

waterfalls and embankments characterize Huanglong scenery.

8. Chengde Summer Resorts and Surrounding Temples

Chengde Summer Resort, known as “The Mountain Hamlet for Escaping the Heat”, is located in northern Chengde, Hebei Province. Qing Emperors used to spend their summer days handling state affairs at the resort. Construction of the resort lasted from 1703 to 1792. It is the largest and best-preserved imperial palace outside the capital. Many of the scenic spots around the resort’s lake area mimic famous landscaped gardens in southern China, and the buildings of the Outer Eight Temples feature

architectural style of minority ethnic groups such as Mongolian, Tibetan and Uygur.

9. Qufu, Confusius’Mansion, Temple and Cemetery

Qufu, in southwestern Shandong Province, was the capital of the state of Lu during the Spring and{关于旅游介绍的英语作文}.

Autumn Period (770-476 BC) and the hometown of Confusius, a great thinker and educator.

Confucius’Mansion was the residence of Confucius’ eldest male descendants for generation. The mansion holds more than 9,000 volumes of archives dating from 1534 to 1948 and many cultural relics, ancient costumes, and utensils. Confucius’ Temple is famous for its 2,000 stone steles and more than 100 portrait stones from the Han Dynasty. Confucius’Cemetery houses tombs for Confucius and his

descendants.

10. Ancient Buildings on the Wudang Mountain

The Wudang Mountain, located in northwestern Hubei Province, is a sacred Taoist mountain that is best known as the birthplace of Wudang martial arts. The Gold Hall built on the mountain in 1416 represents

advanced architectural styleand building techniques of that period.

11. Potala Palace Potala

Palace in Lhasa is situated on Red Hill 3,700 meters above the sea level. The palace was built by Tibetan King Songtsan Gambo in the 7 th century for Tang Princess Wencheng. Potala features the

essence of ancient Tibetan architectural art and houses many artifacts of the Tubo Kingdom.

12. The Lushan Mountain

The Lushan Mountain, located south of Jiujiang City, Jiangxi Province, is one of the most famous mountains in China. The mountain features beautiful peaks, seas of clouds, waterfalls and historical sites. Bailu Academy is one of Chinese first schools of higher learning. 13. The Emei Mountain and Leshan Giant Buddha The Emei Mountain is one of China’s four famous Buddhist Mountains. It is located 7 kilometers southwest of Emeishan City, Sichuan Province. There are 150 temples on the mountain. The mountain features more than 3,000 plant species and 2,000 varieties of animals. Leshan Giant Buddha is located on the east bank of the Minjiang River in Leshan city, Sichuan Province. The Buddha is carved

out of a cliff and, being 70.7 meters tall, is the largest sitting Buddha in China. Carving of the Buddha

started in 713 and was completed in

803. The body of Buddha has a water drainage system to prevent erosion.

14. Lijiang Ancient City

Lijiang ancient city, located in Lijiang, Yunnan Province, is an ancient town inhabited mainly by the Naxi minority people. The town was founded in 1127. The roads in the town are paved with colored pebbles produced in Lijiang, and there are many stone bridges and memorial archways built during the Ming and Qing Dynasties. Most of the residences are made of earth and wood. Palace murals depicting religious themes were painted during the Ming Dynasty. The traditional Dongba Culture of the Naxi ethnic group

has been preserved in Lijiang.

15. Pingyao Ancient City

Pingyao of Shanxi Province was built 2,000 years ago during the Zhou Dynasty. The city wall was renovated in 1370. It is one of China’s earliest and largest county-level city walls. Ancient streets, government offices, markets, stores and residences have been preserved, providing invaluable

resources for research on China’s ancient Ming Dynasty county seat.

16. Suzhou Gardens

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Suzhou in Jiangsu Province is a famous historic and cultural city that is more than 2,500 years old. Suzhou features more than 200 ancient gardens. The small private gardens are especially famous

nationwide and reflect architectural styles of the Song, Yuan, Ming and Qing Dynasties.

17. The Summer Palace of Beijing

The Summer Palace, featuring the best of China’s ancient gardens, is located in the western suburbs of Beijing. The palace was built in 1153 as a temporary imperial palace. It was rebuilt in 1888. The Summer

Palace consists of the Longevity Hill and the Kunming Lake. The Long Corridor, painted with exquisite paintings, was included in the Guinness Book of World Records in 1992 as the longest corridor in the world. The corridor links the area where Empress Dowager Cixi handled state affairs with the residential

and sightseeing areas.

18. The Temple of Heaven of Beijing

The Temple of Heaven, built in 1420, is located in southern Beijing. During the Ming and Qing Dynasties,

emperors came to the temple to worship the God of Heavenand pray for a good harvest.

篇二:《西安旅游景点英文介绍》

西安旅游景点英文介绍

大雁塔 Great Wild Goose Pagoda

小雁塔 Small Wild Goose Pagoda

秦始皇兵马俑博物馆

Museum of Emperor Qinshihuang’s Tomb Figures of Soldiers and Horses

秦始皇陵 The Tomb of Emperor Qinshihuang

黄帝陵 The Huangdi Tomb

鼓 楼 The Drum Tower{关于旅游介绍的英语作文}.

钟 楼 The Bell Tower

西安城墙 The Xi’an Circumvallation

华清池 The Huaqing Pond

乾 陵 The Qian Tomb

法门寺 The Famen Temple

黄河壶口瀑布 The Huanghe Hukou Waterfall

大唐芙蓉园 Lotus palace of Tang Dynasty

秦始皇陵兵马俑英文导游辞

Emperor Qin Shihuang's Mausoleum and the Terra-cotta Warriors and Horses Museum Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his

given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China's history.

In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later

generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China's dynasties had continued to call themselves Huang Di, the emperor.

After he had annexed the other six states, Emperor Qin Shihuang abolished the

enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against

harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China's 2,000 year old feudal society.

Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty's history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China's ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those{关于旅游介绍的英语作文}.

events were later called in history “the burning of books and the burying of Confucian scholars.”

Emperor Qin Shihuang, for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

Emperor Qin Shihuang's Mausoleum has not yet been excavated. What looks like inside could only be known when it is opened. However, the three pits of the terra-cotta warrior excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang's Mausoleum was.

No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation,

symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979. No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep, covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.

No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters

high and two metres long. According to textual research, these clay horses were

sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirrups.

No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the

exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang's strong determination of wiping out the six states and unifying the whole country.

The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasty. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the

terra-cotta figures have been burnt and have gone through the natural process of decay, we can't see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of themes are still very sharp; analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty's metallurgical technology and weapon-manufacturing technique already reached quite a high level.

In December 1980, two teams of large painted bronze chariots and horses were

unearthed 20 metres west of the mound of Emperor Qin Shihuang's Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

The chariots and horses are decorated with coloured drawings against white

background. They have been fitted with more than 1,500 pieces of gold and silvers and

decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang's soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses

provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty. No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years' careful and painstaking restoration by

archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from 1988.

大雁塔英文导游词

As the symbol of the old-line Xian, Big Wild Goose Pagoda is a well-preserved ancient building and a holy place for Buddhists. It is located in the southern suburb of Xian City, about 4 kilometers (2.49 miles) from the downtown of the city. Standing in the Da Ci'en Temple complex, it attracts numerous visitors for its fame in the Buddhist religion, its simple but appealing style of construction, and its new square in front of the temple. It is rated as a National Key Cultural Relic Preserve as well as an AAAA Tourist Attraction.

This attraction can be divided into three parts: the Big Wild Goose Pagoda, the Da Ci'en Temple, and the North Square of Big Wild Goose Pagoda.

Big Wild Goose Pagoda

Originally built in 652 during the reign of Emperor Gaozong of the Tang Dynasty (618-907), it functioned to collect Buddhist materials that were taken from India by the hierarch Xuanzang.

Xuanzang started off from Chang'an (the ancient Xian), along the Silk Road and through deserts, finally arriving in India, the c

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